Hiatus Kaiyote - Tawk Tomahawk - released July 2013 on the Flying Buddah label

Genres: Soul, Rhythm and Blues

At best, this is a promising debut from an Australian act that should produce greater stuff in future and at worst it is kind of frustrating in that it doesn't play to its strengths. This Australian  soul outfit who formed in 2012 try very hard, possibly too hard, as the production choices on this disc saps energy from their talent and the lead singer fights the music to be heard. The ever present bass has an enveloping hazy sound that seems lifted from dub but it doesn't quite fit the most prominent singing style chosen here which is indebted to soul acts like Nina Simone or a slightly freakier equivalent.There is also keyboards that are way to far to the front of the mix and guitars that are buried too far in it. The vocals sound at time behind the bass and keyboard which makes the music sound like it should be center stage leading to the feeling that the songs were an afterthought.  This may have been the case, I don't know. It's just a strange fit. It would probably make more sense in a live setting and if I see this band playing near me I would definitely check them out.

I knew very little about this group past what I read in the linear notes, where I gleamed that the lead singer goes by the silly moniker of Nai Palm, but I had very high hopes on my first listen through the tracks. I was pleasantly surprised that it had the uber-cool sound of a producer like Flying Lotus, who apparently has been promoting this band, but he doesn't deal in songs much and is more in the realm of stay-at-home with headphones dance music.What is here is songs and occasionally aimless instrumentals. Overall the lyrics are stream of consciousness rants but that isn't a problem, even when the lyrics get really strange, it's that the singer seems to want to desperately stand-out  but hasn't got much to say. She caterwauls and then croons, she tries everything to fights the monstrous bass sound and the result is a knotted up album that would work better in snippets in a mix-tape or DJ set. This isn't too harsh a criticism as there is good stuff here, the track 'Nakamarra' is the least complicated by intentional weirdness and it sounds competent. The singer does, for the most part, go up and down her register and all across a wide range of vocal styles effectively but like any young act it lacks refinement.

A very promising new act but the album is mixed. If you're a DJ you'll get more out of this disc than a casual listener who will find it something worth admiring but not something to love.

RATING: 2.5/5 STARS 

Below is the song 'Nakamarra' by Hiatus Kaiyote.

Edgeland - Karl Hyde (Universal Music) - released April 2013

Genres: Electronic, Ambient, Alt-pop

Former vocalist for the electronic act Underworld, Karl Hyde's first venture into a solo recording starts with an absolute stunner in the song 'The Night Slips Us Smiling Underneath Its Dress' that has the same transcendent post-modern feel that typified his previous act's best work but with a greater focus on his lyrics. This track is filled with drugged excitement, a cold echoed piano eventually turns the corner into a warm guitar solo. The lyrics seeming to detail in a pastiche fashion a night out in Lewisham at 2am involving laughter, African Queens, a car crash, drugs and some lonely time travelling through it as a passenger in a black Mercedes with a very tired driver. It is a great start but nothing else gets to this song's high but some do come close. The following song 'Your Perfume Was the Best Thing'  is almost a standard pop song save for a few abstract lyrics and has the pronounced chorus to prove it, it is memorable. 'Shoulda Been A Painter' is a bright sounding song filled with wonder. 'Boy with the Jigsaw Puzzle Fingers' has a kind of unfurling wonderment in the face of the chaos of modern city living.

The feeling of wonderment seems to be the main feeling of all the characters on this album and it seems that these characters are all travelling somewhere in a city somewhere watching life around them. It has the perfect ambient backdrop of keyboards with electronic clicks and beeps to underscore Hyde's lyrics with copious amounts of filters over those. If I had a distinct criticism of this music it is that it drifts a bit like ambient music can, it becomes mood-music that only appeals to people in that mood, the lyrics can occasionally become meanderings. There seems to be only a few tracks that take hold of the listener but overall the album hits its mark without exceeding it.

RATING: 3.5/5

Here's the video for Karl Hyde's single 'The Boy with the Jigsaw Puzzle Fingers'